Iouliana Erdebir, Sixth Tribune of the Grand Secretariat of the Byzantine Commune


Yiannis Drymonakos, Fifth Tribune of the Grand Secretariat of the Byzantine Commune


Antonia Cavinato, Fourth Tribune of the Grand Secretariat of the Byzantine Commune


Bogomil Milenov, Third Tribune of the Grand Secretariat of the Byzantine Commune


Ginerva Paladini, Second Tribune of the Grand Secretariat of the Byzantine Commune


Evgenia Exteberria, First Tribune of the Grand Secretariat of the Byzantine Commune


Red Guard Commander Valentinos Spyromilios, Dictator of the Byzantine Commune


In the earlier epochs of history, we find almost everywhere a complicated arrangement of society into various orders, a manifold gradation of social rank. In ancient Rome we have patricians, knights, plebeians, slaves; in the Middle Ages, feudal lords, vassals, guild-masters, journeymen, apprentices, serfs; in almost all of these classes, again, subordinate gradations.


The modern bourgeois society that has sprouted from the ruins of feudal society has not done away with class antagonisms. It has but established new classes, new conditions of oppression, new forms of struggle in place of the old ones.
–Karl Marx and Friedrich Engels, The Manifesto of the Communist Party

Fr. Konstantinos Hadjiapostolou, Fifteenth President of the Byzantine Republic


Kazimir Duvnjak, Fourteenth President of the Byzantine Republic (Second term)


Valeria Allegri, Thirteenth President of the Byzantine Republic


Kazimir Duvnjak, Twelfth President of the Byzantine Republic


Reyhan Hamzaoğlu, Eleventh President of the Byzantine Republic


Leonidas Apostolakis, Tenth President of the Byzantine Republic


Georgiana Sapoutizakis, Ninth President of the Byzantine Republic


Athanasios Mavromihalis, Eighth President of the Byzantine Republic


Evgenia Kasdaglis, Seventh President of The Byzantine Republic


Turhan Toraman, Sixth President of the Byzantine Republic


Samuel Pytheid, Fifth President of the Byzantine Republic


Aphrodite de Bassot, Fourth President of the Byzantine Republic


Umay Mars, Third President of the Byzantine Republic


Cosetta Pisani, Second President of the Byzantine Republic


Noor Sallajer, First President of the Byzantine Republic

Our revolution has made me feel the full force of the axiom that history is fiction and I am convinced that chance and intrigue have produced more heroes than genius and virtue.
–Maximilien Robespierre


MADAME HIRATINE


ALEXIOS IV YAROSLAVOVICH, THE BLACK EMPEROR


LORDS COMMISSIONER OF THE COMMONWEALTH


EMPRESS VALERIA IV YAROSLAVOVNA


EMPRESS ARIADNE I YAROSLAVOVNA


TRAJAN III YAROSLAVOVICH THE GOLDEN


ANNA I YAROSLAVNA


JUSTINE I YAROSLAVOVNA


JULIA I RADZIWILL THE GREAT


LORDS COMMISSIONER OF THE COMMONWEALTH


ALEXIOS IV RADZIWILL


ALEXIOS III RADZIWILL


HYPATIA III RADZIWILL THE MERRY


The end of law is not to abolish or restrain, but to preserve and enlarge freedom. For in all the states of created beings, capable of laws, where there is no law there is no freedom.
–Locke, Second Treatise of Government


HYPATIA II RADZIWILL THE SAD


AURELIAN II RADZIWILL THE MAD


IOULIANA II RADZIWILL


THEODORA II RADZIWILL


THEOCHARISTE I RADZIWILL


COUNCIL OF IMPERIAL GOVERNMENT


HYPATIA I DE MOWBRAY


HUGH I DE MOWBRAY THE ENGLISHMAN


BASILIKE I YAROSLAVOVNA THE APOSTLE


EIRENE III YAROSLAVOVNA


RURIK I YAROSLAVOVICH


DOBRAVA I YAROSLAVOVNA (Restored)


KOMITAS I BRANAS THE WICKED


DOBRAVA I YAROSLAVOVNA


YAROSLAV YAROSLAVOVICH


GABRIELIA I KOMNENE THE CRUEL


VALERIA III KOMNENE


VALERIA II KOMNENE, THE LIVING SAINT


TRAIANOS II KOMNENOS THE SILENT


KYRIAKOS I KOMNENOS


VALERIA I KOMNENE THE APOSTLE


EUPHROSYNE I KOMNENE


St. KAISARIOS I KOMNENOS


ALEXIOS II KOMNENOS


IOULIANA I KOMNENE THE GREAT


EIRENE II KOMNENE THE FAT


MELETIOS I KOMNENOS


ALEXIOS I KOMNENOS


Now the appearance of this imperial couple, Alexius and Irene, was inconceivably beautiful and absolutely inimitable. No painter striving after the archetype of beauty, would have been been able to picture them nor would a sculptor be able so to compose the lifeless material.
–Anna Komnene, The Alexiad

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